Jewellery History
Early history
The Nassarius beads thought to be the oldest form of jewellery.The first signs of jewellery came from the Cro-Magnons, ancestors of Homo sapiens, around 40,000 years ago. The Cro-Magnons originally migrated from the Middle East to settle in Europe and replace the Neanderthals as the dominant species. The jewellery pieces they made were crude necklaces and bracelets of bone, teeth and stone hung on pieces of string or animal sinew, or pieces of carved bone used to secure clothing together. In some cases, jewellery had shell or mother-of-pearl pieces. In southern Russia, carved bracelets made of mammoth tusk have been found. Most commonly, these have been found as grave-goods. Around 7,000 years ago, the first sign of copper jewellery was seen.

Africa
Egypt
Amulet pendant, 254 BCE. Gold, lapis lazuli, turquoise, carnelian, 14 cm wide.The first signs of established jewellery making in Ancient Egypt was around 3,000-5,000 years ago.[16] The Egyptians preferred the luxury, rarity, and workability of gold over other metals. Predynastic Egypt had already acquired much gold; although the Egyptians acquired gold from the eastern deserts of Africa and from Nubia, in later years they captured it in the spoils of war or acquired it as tributes from other nations.
Jewellery in Egypt soon began to symbolize power and religious power in the community. Although it was worn by wealthy Egyptians in life, it was also worn by them in death, with jewellery commonly placed among grave goods.
In conjunction with gold jewellery, Egyptians used coloured glass in place of precious gems. Although the Egyptians had access to gemstones, they preferred the colours they could create in glass over the natural colours of stones. For nearly each gemstone, there was a glass formulation used by the Egyptians to mimic it. The colour of the jewellery was very important, as different colours meant different things; the Book of the Dead dictated that the necklace of Isis around a mummy’s neck must be red to satisfy Isis’s need for blood, while green jewellery meant new growth for crops and fertility. Although lapis lazuli and silver had to be imported from beyond the country’s borders, most other materials for jewellery were found in or near Egypt, for example in the Red Sea, where the Egyptians mined Cleopatra's favourite gem, the emerald. Egyptian jewellery was predominantly made in large workshops attached to temples or palaces.
Egyptian designs were most common in Phoenician jewellery. Also, ancient Turkish designs found in Persian jewellery suggest that trade between the Middle East and Europe was not uncommon. Women wore elaborate gold and silver pieces that were used in ceremonies.[16]
Europe and the Middle East
Mesopotamia
By approximately 4,000 years ago, jewellery-making had become a significant craft in the cities of Sumer and Akkad. The most significant archaeological evidence comes from the Royal Cemetery of Ur, where hundreds of burials dating 2900–2300 BC were unearthed; tombs such as that of Puabi contained a multitude of artefacts in gold, silver, and semi-precious stones, such as lapis lazuli crowns embellished with gold figurines, close-fitting collar necklaces, and jewel-headed pins. In Assyria, men and women both wore extensive amounts of jewellery, including amulets, ankle bracelets, heavy multi-strand necklaces, and cylinder seals.
Jewellery in Mesopotamia tended to be manufactured from thin metal leaf and was set with large numbers of brightly-coloured stones (chiefly agate, lapis, carnelian, and jasper). Favoured shapes included leaves, spirals, cones, and bunches of grapes. Jewellers created works both for human use and for adorning statues and idols; they employed a wide variety of sophisticated metalworking techniques, such as cloisonne, engraving, fine granulation, and filigree.

Extensive and meticulously maintained records pertaining to the trade and manufacture of jewellery have also been unearthed throughout Mesopotamian archaeological sites. One record in the Mari royal archives, for example, gives the composition of various items of jewellery:
“ 1 necklace of flat speckled chalcedony beads including: 34 flat speckled chalcedony bead, [and] 35 gold fluted beads, in groups of five.
1 necklace of flat speckled chalcedony beads including: 39 flat speckled chalcedony beads, [with] 41 fluted beads in a group that make up the hanging device.
1 necklace with rounded lapis lazuli beads including: 28 rounded lapis lazuli beads, [and] 29 fluted beads for its clasp.
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Greece
Gold earring from Mycenae, 16th century BCE.The Greeks started using gold and gems in jewellery in 1,400 BC, although beads shaped as shells and animals were produced widely in earlier times. By 300 BC, the Greeks had mastered making coloured jewellery and using amethysts, pearl and emeralds. Also, the first signs of cameos appeared, with the Greeks creating them from Indian Sardonyx, a striped brown pink and cream agate stone. Greek jewellery was often simpler than in other cultures, with simple designs and workmanship. However, as time progressed the designs grew in complexity different materials were soon utilized.
Pendant with naked woman. Electrum, Rhodes, ca. 630-620 BCE.Jewellery in Greece was hardly worn and was mostly used for public appearances or on special occasions. It was frequently given as a gift and was predominantly worn by woman to show their wealth, social status and beauty. The jewellery was often supposed to give the wearer protection from the “Evil Eye†or endowed the owner with supernatural powers, while others had a religious symbolism. Older pieces of jewellery that have been found were dedicated to the Gods. The largest production of jewellery in these times came from Northern Greece and Macedon. However, although much of the jewellery in Greece was made of gold and silver with ivory and gems, bronze and clay copies were made also.
Ancient Greek jewellery from 300 BCE.Jewellery makers in Ancient Greece were largely anonymous. They worked the types of jewellery into two different styles of pieces; cast pieces and pieces hammered out of sheet metal. Fewer pieces of cast jewellery have been recovered; it was made by casting the metal onto two stone or clay moulds. Then the two halves were joined together and wax and then molten metal, was placed in the centre. This technique had been in practised since the late Bronze Age. The more common form of jewellery was the hammered sheet type. Sheets of metal would be hammered to the right thickness & then soldered together. The inside of the two sheets would be filled with wax or another liquid to preserve the metal work. Different techniques, such as using a stamp or engraving, were then used to create motifs on the jewellery. Jewels may then be added to hollows or glass poured into special cavities on the surface.
The Greeks took much of their designs from outer origins, such as Asia when Alexander the Great conquered part of it. In earlier designs, other European influences can also be detected. When Roman rule came to Greece, no change in jewellery designs was detected. However, by 27 BC, Greek designs were heavily influenced by the Roman culture. That is not to say that indigenous design did not thrive; numerous polychrome butterfly pendants on silver foxtail chains, dating from the 1st century, have been found near Olbia, with only one example ever found anywhere else.[20]
Rome
Roman Amethyst intaglio pendant, c. 212 CE; later converted to St. Peter medallion.Although jewellery work was abundantly diverse in earlier times, especially among the barbarian tribes such as the Celts, when the Romans conquered most of Europe, jewellery was changed as smaller factions developed the Roman designs. The most common artefact of early Rome was the brooch, which was used to secure clothing together. The Romans used a diverse range of materials for their jewellery from their extensive resources across the continent. Although they used gold, they sometimes used bronze or bone and in earlier times, glass beads & pearl. As early as 2,000 years ago, they imported Sri Lankan sapphires and Indian diamonds and used emeralds and amber in their jewellery. In Roman-ruled England, fossilized wood called jet from Northern England was often carved into pieces of jewellery. The early Italians worked in crude gold and created clasps, necklaces, earrings and bracelets. They also produced larger pendants which could be filled with perfume.
Like the Greeks, often the purpose of Roman jewellery was to ward off the “Evil Eye†given by other people. Although woman wore a vast array of jewellery, men often only wore a finger ring. Although they were expected to wear at least one ring, some Roman men wore a ring on every finger, while others wore none. Roman men and women wore rings with a carved stone on it that was used with wax to seal documents, an act that continued into medieval times when kings and noblemen used the same method. After the fall of the Roman Empire, the jewellery designs were absorbed by neighbouring countries and tribes.[16]
China
The earliest culture to begin making jewellery in Asia was the Chinese around 5,000 years ago. Chinese jewellery designs were very religion-orientated and contained many Buddhist symbols, a fact which remains to this day.

Jade coiled serpent, Han Dynasty (202 BC-220 AD)The Chinese used silver in their jewellery more often than gold, and decorated it with their favourite colour, blue. Blue kingfisher feathers were tied onto early Chinese jewellery and later, blue gems and glass were incorporated into designs. However, Chinese preferred jade over any other stone. They fashioned it using diamonds, as indicated in finds from areas in the country. The Chinese revered jade because of the human-like qualities they assigned to it, such as its hardness, durability and beauty.[4] The first jade pieces were very simple, but as time progressed, more complex design evolved. Jade rings from between the 4th and 7th centuries BCE show evidence of having been worked with a compound milling machine; hundreds of years before the first mention of such equipment in the west.
In China, jewellery was worn frequently by both sexes to show their nobility and wealth. However, in later years, it was used to accentuate beauty. Woman wore highly detailed gold and silver head dresses and numerous other items, while men wore decorative hat buttons which showed rank and gold or silver rings. Woman also wore strips of gold on their foreheads, much like women in the Indus Valley. The band served a purpose like an early form of tiara and it was often decorated with precious gems. The most common piece of jewellery worn by Chinese was the earring, which was worn by both men and women. Amulets were also common too, often with a Chinese symbol or dragon. In fact, dragons, Chinese symbols and also phoenixes were frequently depicted on jewellery designs.
The Chinese often placed their jewellery in their graves; most Chinese graves found by archaeologists contain decorative jewellery.[29]
India
The Indian sub-continent has the longest continuous legacy of jewellery making anywhere. While Western traditions were heavily influenced by waxing and waning empires, India enjoyed a continuous development of art forms for some 5000 years.[30] One of the first to start jewellery making were the peoples of the Indus Valley Civilization. By 1,500 BC the peoples of the Indus Valley were creating gold earrings and necklaces, bead necklaces and metallic bangles. Before 2,100 BC, prior to the period when metals were widely used, the largest jewellery trade in the Indus Valley region was the bead trade. Beads in the Indus Valley were made using simple techniques. First, a bead maker would need a rough stone, which would be bought from an eastern stone trader. The stone would then be placed into a hot oven where it would be heated until it turned deep red, a colour highly prized by people of the Indus Valley. The red stone would then be chipped to the right size and a hole drilled through it with primitive drills. The beads were then polished. Some beads were also painted with designs. This art form was often passed down through family; children of bead makers often learnt how to work beads from a young age.
Jewellery in the Indus Valley was worn predominantly by females, who wore numerous clay or shell bracelets on their wrists. They were often shaped like doughnuts and painted black. Over time, clay bangles were discarded for more durable ones. In India today, bangles are made out of metal or glass. Other pieces that women frequently wore were thin bands of gold that would be worn on the forehead, earrings, primitive brooches, chokers and gold rings. The people of the region were much more urbanised than the rest of the area, so the jewellery worn was of heavier make once the civilization developed. Although women wore jewellery the most, some men in the Indus Valley wore beads. Small beads were often crafted to be placed in men and women’s hair. The beads were so small they usually measured in at only one millimetre long.
Just like many other cultures, Harappan people also believed in life after death and it is testified with the presence of the female skeleton (presently showcased at National Museum, New Delhi, India) wearing a carlinean bacngle on her left hand.
As time progressed, the methods for jewellery advanced, thus allowing complex jewellery to be made. Necklaces were soon adorned with gems and green stone.
Although they used other gems prior, India was the first country to mine diamonds, with some mines dating back to 296 BC. However, axes dating to 4,000 BC found in China from previous factions of the country, contain traces of diamond dust used to sharpen the blades. While China used the diamonds they found mainly for carving jade, India traded the diamonds, realising their valuable qualities. This trade almost vanished 1,000 years after Christianity grew as a religion, as Christians rejected the diamonds which were used in Indian religious amulets. Along with Arabians from the Middle East restricting the trade, India’s diamond jewellery trade lulled.
Today, many of the jewellery designs and traditions are still used and jewellery is commonplace in Indian ceremonies and weddings.[29]
Americas
Jewellery played a major role in the fate of the Americas when the Spanish established an empire to seize South American gold. Jewellery making developed in the Americas 5,000 years ago in Central and South America. Large amounts of gold was easily accessible, and the Aztecs and Mayans created numerous works in the metal. Among the Aztecs, only nobility wore gold jewellery, as it showed their rank, power and wealth. Gold jewellery was most common in the Aztec Empire and was often decorated with feathers from birds. The main purpose of Aztec jewellery was to draw attention, with richer and more powerful Aztecs wearing brighter, more expensive jewellery and clothes. Although gold was the most common and popular material used in Aztec jewellery, silver was also readily available throughout the American empires. In addition to adornment and status, the Aztecs also used jewellery in sacrifices to appease the gods. Priests also used gem encrusted daggers to perform animal and human sacrifices.
Another ancient American civilization with expertise in jewellery making was the Maya. At the peak of their civilization, the Maya were making beautiful jewellery from jade, gold, silver, bronze and copper. Maya designs were similar to those of the Aztecs, with lavish head dresses and jewellery. The Maya also traded in precious gems. However, in earlier times, the Maya had little access to metal, so made the majority of their jewellery out of bone or stone. Merchants and nobility were the only few that wore expensive jewellery in the Maya Empire, much the same as with the Aztecs.

In North America, Native Americans used shells, wood, turquoise, and soapstone, almost unavailable in South and Central America. The Native Americans utilized the properties of the stone and used it often in their jewellery, particularly in earlier periods. The turquoise was used in necklaces and to be placed in earrings. Native Americans with access to oyster shells, often located in only one location in America, traded the shells with other tribes, showing the great importance of the body adornment trade in Northern America |